The Tears of the Rajasis a sweeping history of the British in India, seen through the experiences of a single Scottish family. For a century the Lows of Clatto survived mutiny, siege, debt and disease, everywhere from the heat of Madras to the Afghan snows. They lived through the most appalling atrocities and retaliated with some of their own. Each of their lives, remarkable in itself, contributes to the story of the whole fragile and imperilled, often shockingly oppressive and devious but now and then heroic and poignant enterprise. On the surface, John and Augusta Low and their relations may seem imperturbable, but in their letters and diaries they often reveal their loneliness and desperation and their doubts about what they are doing in India. The Lows are the family of the author's grandmother, and a recurring theme of the book is his own discovery of them and of those parts of the history of the British in India which posterity has preferred to forget. The book brings to life not only the most dramatic incidents of their careers - the massacre at Vellore, the conquest of Java, the deposition of the boy-king of Oudh, the disasters in Afghanistan, the Reliefs of Lucknow and Chitral - but also their personal ordeals: the bankruptcies in Scotland and Calcutta, the plagues and fevers, the deaths of children and deaths in childbirth. And it brings to life too the unrepeatable strangeness of their lives: the camps and the palaces they lived in, the balls and the flirtations in the hill stations, and the hot slow rides through the dust. An epic saga of love, war, intrigue and treachery, The Tears of the Rajas is surely destined to become a classic of its kind.

'Grimly funny and superbly written, with a twist on every page' - Hilary Mantel 'Delightfully compulsive and unforgettably original' - Hadley Freeman 'Wonderful, funny and wise' - Kate Summerscale Shortlisted for the Duff Cooper Prize 2021 A Sunday Times, TLS, Spectator and New Statesman Book of the Year Aunt Munca never told the truth about anything. Calling herself after the mouse in a Beatrix Potter story, she was already a figure of mystery during the childhood of her nephew Ferdinand Mount. Half a century later, a series of startling revelations sets him off on a tortuous quest to find out who this extraordinary millionairess really was. What he discovers is shocking and irretrievably sad, involving multiple deceptions, false identities and abandonments. The story leads us from the back streets of Sheffield at the end of the Victorian age to the highest echelons of English society between the wars. An unconventional tale of British social history told backwards, now published with new material discovered by the author about his eccentric aunt, Kiss Myself Goodbye is both an enchanting personal memoir and a voyage into a vanished moral world

The deliciously sharp new novel from Ferdinand Mount, author of the Sunday Times Book of the Year Kiss Myself Goodbye Ferdinand Mount's stinging satire plunges into the dubious world of London PR firms, the back rooms of Westminster and the campaign trail in Africa and America. We follow the hapless Dickie Pentecost, redundant diplomatic correspondent for a foundering national newspaper, together with his stern oncologist wife Jane, and their daughters Flo, an aspiring ballerina, and the quizzical teenager Lucy. The whole family find themselves entangled in an ever more alarming series of events revolving around the elusive Ethel (full name Ethelbert), dynamic founder of the soaring public relations agency Making Nice. With echoes of Evelyn Waugh and The Thick of It, Making Nice is a masterly take on the madness of contemporary society and the limitless human capacity for self-deception.

Who said that dictatorship was dead? The world today is full of Strong Men and their imitators. Caesarism is alive and well. Yet in modern times it's become a strangely neglected subject. Ferdinand Mount opens up a fascinating exploration of how and why Caesars seize power and why they fall. There is a comforting illusion shared by historians and political commentators from Fukuyama back to Macaulay, Mill and Marx, that history progresses in a nice straight line towards liberal democracy or socialism, despite the odd hiccup. In reality, every democracy, however sophisticated or stable it may look, has been attacked or actually destroyed by a would-be Caesar, from Ancient Greece to the present day. Marx was wrong. This Caesarism is not an absurd throwback, it is an ever-present danger. There are Big Caesars who set out to achieve total social control and Little Caesars who merely want to run an agreeable kleptocracy without opposition: from Julius Caesar and Oliver Cromwell through Napoleon and Bolivar, to Mussolini, Salazar, De Gaulle and Trump. The saga of Boris Johnson and Brexit frequently crops up in this author's narrative as a vivid, if Lilliputian instance of the same phenomenon. The final part of this book describes how and why would-be Caesars come to grief, from the Gunpowder Plot to Trump's march on the Capitol. The book ends with a thought-provoking road map of the way back to constitutional government.

Cold Cream is a sparkling autobiography in the great tradition: wonderfully perceptive, exquisitely rendered and bursting with characters and anecdotes of every shade and hue. A tender, moving and witty portrait of Ferdinand Mount's family and his early life, it follows his bumbling path from his decadent upbringing in the world of 'Hobohemia' to his schooldays at Eton, and from the boozy depths of Fleet Street in the 60s to his years at the vortex of Downing Street in the 80s as speech writer (much to his own bemusement) for Margaret Thatcher. Every sentence radiates with fondness, intelligence and humour in this utterly charming anthology of an eccentric and colourful cast of people who defined their generation.

The deliciously sharp new novel from Ferdinand Mount, author of the Sunday Times Book of the Year Kiss Myself Goodbye Ferdinand Mount's stinging satire plunges into the dubious world of London PR firms, the back rooms of Westminster and the campaign trail in Africa and America. We follow the hapless Dickie Pentecost, redundant diplomatic correspondent for a foundering national newspaper, together with his stern oncologist wife Jane, and their daughters Flo, an aspiring ballerina, and the quizzical teenager Lucy. The whole family find themselves entangled in an ever more alarming series of events revolving around the elusive Ethel (full name Ethelbert), dynamic founder of the soaring public relations agency Making Nice. With echoes of Evelyn Waugh and The Thick of It, Making Nice is a masterly take on the madness of contemporary society and the limitless human capacity for self-deception.

Ferdinand Mount has been fascinated by the great thinkers and politicians who have shaped human history over the past two millennia In this fascinating, and provocative book, he examines the proposals for a political theory from a number of widely different historical figures. Twelve key people, from the great orator and statesman of Ancient Greece (Pericles) to the inspiration of the founding of the state of Pakistan (Muhammad Iqbal) we take a colourful and rip-roaring journey through the historical figures who have both inspired and provoked Mount in equal measure. The lives of men such as Jesus Christ, Rousseau, Adam Smith, Edmund Burke, and Thomas Jefferson are discussed and comparisons are drawn between the various approaches each figure promoted in their works - whether philosophical, or political theories. For those wishing to be guided by Mount's choices and be swept along by his brilliantly erudite prose, this will be a particular enjoyable read. Lots of colour, humour and passion governed all these people careers and Mount brings them to life like no one else can. Praise for the international-bestselling Tears of the Rajas:- 'Mount is a skilled and fluent writer who does his subject justice' --Literary Review 'Mount relates this remarkable story with a gentle wit, a lightness of touch, a boyish enthusiasm as well as a genius for the telling pen-portrait... It is a remarkable story, and cumulatively amounts to an epic panorama of British Indian history much more substantial than the 'collection of Indian tales, a human jungle book', which Mount modestly describes as his aim in the introduction.' --William Dalrymple, The Spectator 'What [Mount] provides instead is of far greater value: a perceptive antidote to nationalistic prejudicial thinking, and an opportunity for a greater understanding of the aftereffects of British imperialism in some of the world's most troubled regions.' Sunday Times 'Although Tears of the Rajas is replete with stirring tales of adventure, it is a deeply humane book. Mount's heart is at all times with the people of India, whose lives are turned upside down by blundering attempts at modernisation.' The Times

This was supposed to be the era when democracy came into its own, but instead power and wealth in Britain have slowly been consolidated the hands of a small elite, while the rest of the country struggles financially and switches off politically. We are now ruled by a gang of fat-cats with fingers in every pie who squabble for power among themselves while growing richer. Bored with watching corrupt politicians jockeying for power, ordinary Britons are feeling disconnected from politics and increasingly cynical about the back-scratching relationship between politicians and big business. The New Fewshows us what has led to this point, and asks the critical questions: whyhas Britain become a more unequal society over the past thirty years? Whyhave the banks been bailed out with taxpayers' money, while bankers are still receiving huge bonuses? Why have those responsible not been held accountable for the financial crash? Why has power in Britain become so concentrated in the hands of corrupt politicians who have been exposed cheating their constituents in the expenses scandal? Despite this bleak diagnosis, there are solutions to the rise of the new ruling class in the modern West. The New Few sets out some of the ways in which we can restore our democracy, bringing back real accountability to British business and fairness to our society.

In this updated edition to his provocative and ruthlessly frank book, Ferdinand Mount argues that there is a new class divide in Britain which is just as vicious and hard to get rid of as the old one.

British politician and writer, Ferdinand Mount, challenges contemporary beliefs about society and family--including the history of divorce, childcare, and the concept of the nuclear family.
In "Subversive Family," politician and writer Ferdinand Mount argues that society is shaped by a series of powerful revolutionary movements, the leaders of which, whether they be political ideologues, theologians, feudal lords, or feminist writers, have done their utmost to render the family a subordinate instrument of their purpose but that, in spite of it all, the family endures. Mount maintains that many widely held contemporary beliefs about the family are based on a willful misreading of the evidence: among the myths are that arranged marriages were the norm until this century; that child care is a modern innovation; that in earlier societies children were treated as expendable objects; that the nuclear family is not a 20th-century invention; and that romantic love never existed before the troubador poets glorified adultery. Divorce, he contends, is no great novelty either, he shows that in many times and places it has been almost as easy to obtain as it is today. Far from diminishing the general desire and respect for family life, Mount contends that the provision for divorce has been popularly regarded as an integral part of any sensible system of family law. This study should jolt the reader into a re-assessment of one of the most familiar and ancient institutions, and encourage greater consideration for policies today that support the family.

Aldous Cotton, commonly known as Gus, a civil servant of dry and melancholy humour, stands observing the November dawn from his North London doorstep. His calm existence is about to be disrupted by two events: the invasion of that unloved piece of imperial territory on the other side of the world, known as the Selkirk Strip; and the arrival of his wife's mysterious cousin, Alan Breck Stewart, a survivor of mysterious pasts, unwitting provoker of destruction. While the entire country embarks on a patriotic binge, Alan Breck Stewart pursues his own peculiar path, leaving behind him a wake of sexual disaster and personal disintegration. Splenetic journalists, strong-willed women, tortuously bland civil servants and West Country Catholic gentry - all come under Ferdinand Mount's finely ground microscope in this tragi-comedy or manners and morals. And in Alan Breck Stewart he has created one of those extraordinary characters who burst from the page in embarrassing abandon.